Kapil Sharma! The mere mention of this name brings a smile to millions across India. The “Comedy King” of the small screen has once again knocked on the doors of cinema halls with the sequel to his previous hit, Kis Kisko Pyaar Karoon 2. While Kapil’s journey from zero to hero is genuinely inspiring and his brand of comedy has kept the nation laughing for years, the big question remains: Does this new rom-com possess that special spark, or is it riding solely on the blind faith of his fandom? Let’s dive into the details.
The Storyline
The story of Kis Kisko Pyaar Karoon 2 kicks off in Bhopal with Mohan Sharma (Kapil Sharma), a simple Hindu restaurant owner who is desperate for love. He falls for a Muslim girl named Sanya (Warina Hussain). As is typical in Bollywood tropes, their families oppose the match. Sanya’s parents arrange her marriage to a man named Mehmood (Anil Charanjeet). Driven by love, Mohan takes a drastic step and converts to Islam, adopting the persona of “Mehmood” to marry Sanya.
However, things are never that simple in a Kapil Sharma movie. Instead of Sanya, why does Mohan end up marrying Ruhi (Aisha Khan)? Why does he then take pheras with Mira (Tridha Choudhury)? And how does he transform into “Michael”? To unravel this tangled web of confusion and find the answers to these questions, you will have to head to the theaters.
Script and Direction
Watching Kis Kisko Pyaar Karoon 2 feels like Kapil Sharma has packed up his television comedy shop and tried to set it up on the big screen, only to find the ground too slippery to stand on. The film seems to be a treat strictly for Kapil’s die-hard fans. For the general audience, re-watching an old episode of his TV show at home might honestly be more entertaining.
The intention was clearly to make a fun rom-com, but the narrative turns into a messy khichdi that induces more headaches than laughter. Seeing a plot revolving around religious conversion and multiple marriages in 2025 feels like stepping into a time machine back to the 90s, an era where novelty in storytelling often took a backseat.
Director Anukalp Goswami seems stuck in a bygone era. Today’s audience, exposed to international web series and smart cinema, will find it hard to digest such an outdated narrative. The film is filled with loud acting and melodramatic expressions. To top it off, the preachy message delivered at the end of this lifeless comedy feels fake and performative.
That isn’t to say the film is devoid of humor. Some jokes do land, especially the references to Navjot Singh Sidhu and the Savdhaan India connection with Sushant Singh, which bring genuine laughs. However, these feel like forced insertions rather than organic comedy. The biggest problem is that it doesn’t feel like a movie; it plays out like a stretched, two-and-a-half-hour sketch from a comedy show. The inclusion of body-shaming jokes is particularly jarring. In an age where comedy has evolved, such humor feels not just outdated but uncomfortable.
Performances
Kapil Sharma is undoubtedly the heart and soul of this film. As Mohan Sharma, he delivers exactly what his fans expect. Even when the script and direction falter, Kapil’s impeccable comic timing and expressions try to keep the sinking ship afloat.
The leading ladies also put in a sincere effort. Aisha Khan and Tridha Choudhury manage to win hearts with their performances. Parul Gulati and Warina Hussain add the necessary glamour quotient to the screen. While Warina looks stunning, her character ‘Sanya’ needed more depth to truly connect with the audience. Both Kapil and Manjot Singh get their moments with long monologues, but they lack the punch and emotional depth seen in similar monologues by actors like Kartik Aaryan.
Final Verdict
If you are a devotee of Kapil Sharma and laugh at his every move, then Kis Kisko Pyaar Karoon 2 is a one-time watch for you. However, if you are someone who seeks logic and novelty even in comedy, and cannot enjoy a film without a solid script, you might want to skip this one.
Not every film needs to deliver a heavy message; cinema is often just about entertainment. But recent films like Laapataa Ladies or Madgaon Express have shown that you can have simple stories or experimental comedy that still respects the audience’s intelligence. The makers of this film need to realize that Indian cinema has evolved. Kapil has the star power, but without a better script, even that isn’t enough. Better luck next time.
